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Muse: Black Holes and Revelations

Hot Damn. Thanks to Black Holes and Revelations, Muse has become my OFFICIAL FAVORITE BAND®.

Here’s a look at some of the songs that have conquered my iPod since I got an advance copy of the disc, which is out July 11.

  • Take a Bow. The album begins with a 2:34 second crescendo in Take a Bow and rarely lets up.

    The first five times I listed to this song, I wanted the song’s build-up to resolve in a massive, brain-jolting riff. It ends up with powerful but plodding guitar.

    After listen number six or so, I’m willing to let this song be what it is — a dynamic beginning to a great album.
  • Starlight. This is what Billy Corgin wants the new Smashing Pumpkins to sound like. Seriously.
  • Supermassive Black Hole. A quirky, crunchy single available on iTunes now.
  • Map of the Problematique. Normally, when a song has a pretentious name, it’s a pompous mess. “Problematique” rises above its title — it’s the best song on the album.

    “Problematique” is one part Depeche Mode, Blue Man Group and Radiohead’s “Where I end and you begin”
  • Assasin. Starts out like the Knight Rider theme, but without the Hasselhoff baggage. A Rocker ™. Dream Theater wishes they could write rock like this.
  • Exo-Politics. Quotes exactly from Guns ‘N Roses’ “Sweet Child ‘O Mine” 1:05 minutes in: Sky … Sky … Sky. Oh, and Matt Bellamy belts it out of the park.
  • City of Delusion. A jangley beginning gives way to prog-rock creamdom that — and this could be the Kool-Aid talking — manages to make the mariachi band that shows up 3:29 into the song bearable.
  • Knights of Cydonia. I only mention this song because it was going to be the title of a Rush album, before those Canucks went with the more commercially viable “2112.” All kidding aside, this is another “Drink the Kool-Aid” song that you either love or roll your eyes at.

    My ears perked up 3:45 into the song when they paraphrase Pink Floyd’s Echoes in a gigantic sonic swell.
    Anyway you approach it, it’s a odd choice for the first single.

So, let’s review why this album has so much going on for it:

  1. Cover art by Storm Thorgerson? CHECK
  2. Pretentious songs and song titles? CHECK
  3. Quotes from Pink Floyd, King Crimson (I hear it on Hoodoo and elsewhere), Depeche Mode, Blue Man Group, Radiohead, Fourth Estate and other prog-rock music? CHECK

Do yourself a favor and buy the best rock album of 2006.


Categorized as music, reviews

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